Laurent Pugin

As far as I can tell the shape is not exported.  Here is the MusicXML snippet for the top staff of measure 1 and 2 ```xml 4 0 major...

I am going to make a PR about this. Please let me know if there are any remaining doubts about it.

Yes, this is a case where it would look nicer. But in many cases forcing `@vgrp` with `@between` would yield very large spacing. At least with the current implementation of...

Repeats should not be too difficult. Endings will indeed be more complicated but OK, and Da Capo and so on even more. For these I think there is a need...

> Imagine a visual interface (for a hairpin, for instance) that provides 3 “handles” – one that controls the left side of the hairpin, one that controls its right side,...

 (I could not see your image) Now I think I understand. Basically, `` would be the same as `` and if you have both `@start.ho` and `@ho` they would...

Thinking more about this I would still suggest a change for `@to` with control events. I now understand the idea to have `@ho`, `@startho` and `@endho` and how they work....

It does help, thanks! It is much clearer now that understand that no middle point is involved in the calculations. One last thing when offsets are cumulated - again related...

See https://github.com/music-encoding/music-encoding/issues/357

SMuFL has the slash directly combined with the fret number https://w3c.github.io/smufl/latest/tables/french-and-english-renaissance-lute-tablature.html It seemed to me it would be simpler to have a single glyph for the slash and combine it...