Axel Geertinger

Oh, I see your point. I don't know of any printed examples (but I haven't done any research on that). Whether it has musical significance or not is not entirely...

The question also applies to `@meter.rend` on `` and ``, which is equivalent to `meterSig/@form`. This, by the way, raises a question of naming: should `@form` be renamed `@rend`? Or...

>Moreover I wonder whether `meterSig/@sym` could be `true/false` instead of `common/cut` as the type of symbol can be inferred from the actual meter? I'm not sure I understand. How can...

Suggesting the use of `` was exactly my starting point for the discussion at [rism-ch/verovio#800](https://github.com/rism-ch/verovio/issues/800), so that's fine with me. And I agree that we should add a `@func` value...

BTW, I notice that this issue is closed, but the initial issue is not resolved. `@meter.rend` has been renamed, but it's still not possible to encode the combined time signatures...

I may be naive, but how is this situation more complicated than mixed, interchanging or alternating meters? What are the problems to be thought about (other than terminology)?

Here are some examples using both common time and numbers. The first one is from Bernardo Pasquini's "Il Lisimaco" (1681), the other one from Alessandro Scarlatti's "La principessa fedele" (1710)....

I think a fairly consistent rule would be that `meter.sym="common"` is to be treated as 4/4 _unless_ there are `meter.count` and `meter.unit` values contradicting it, in which case the number...

@pe-ro, I am fine with the changes you suggest. I am as eager as you to grasp the _meaning_ of this notation, but I still don't know for sure. I...

I can avoid clipping at the top by adding some top margin. So I did. But the main problem is that it moves down as notes are added, which really...