Craig Stuart Sapp

Yes, I just put a new version of composite online today as you are noticing. The old one is called _compositeold_ and the new one is called _composite_. For some...

> Going to Analysis > Composite rhythm > Composite rhythm no longer produces any result. I will need to update the menu entries for the composite tool.

The plain filter `composite` is now working again: http://verovio.humdrum.org/?file=poly/R129_Jan-w30p11m124-127.krn&filter=composite This will analyze the "full" composite rhythm. Previously the "group" composite rhythms would be analyzed instead if there were `*grp:A` and...

But given a full-score context, double dynamics can appear without the layout parameters:

> The definition of an accented passing note doesn't fit entirely, but I think it would come closer. I think that this should be labeled as an accented passing tone:...

Implemented with commit https://github.com/rism-digital/verovio/commit/931c7f43c4ab2afe77597a9906f55eec0f6af632 Example: ---------------------- More complicated example: Humdrum data ```tsv **mens **mens *clefC3 *clefC3 *met(C) *met(C) =1 =1 Lc Sc . se . Mg . Mf = =...

Note that it is not necessary to insert a time signature before a mensuration sign in `**mens` to display the mensuration sign. And in this case the time signatures are...

An endpoint collision system would be useful for this situation: The slur is attached to the chord/note in the top layer, but the note in the bottom layer is in...

Here is another example: Target rendering: The pink slur is attached to the two pink notes, but it appears to start on the green note. [Also the D4 note in...

Another example related to attaching slurs to chords. which should render like this: The problem is that the slur is attached to the chord, but it is moved above to...