Craig Stuart Sapp

Here is an extreme example of half notes and eighth/beamed notes: https://s9.imslp.org/files/imglnks/usimg/8/80/IMSLP86359-PMLP02344-chopin-24-prel.pdf#page=17

I do notice a work-around for this sort of case (measure 3): add `@dur="2"` and `@dur.ges="8"` to an eighth note that is overstruck with a half note to make the...

> Are you sure you would want the half note head to overstrike a note head in the beam in all cases? I think the current of handling this for...

That is an interesting idea (probably from an earlier edition). So that would involve `rest@fontsize`? Related to the new Leland font in Musescore last week (and now verovio a few...

You are probably right (as demonstrated with documented proof :-), and I must have imagined that I have seen chords on the unpitched clef before. So I will recategorize as...

There will be need for transposition of quarter tone pitches, but the transposition intervals themselves will not need quarter tone (for creating sounding/written orchestral scores/parts). There is one exception that...

In this case it is a transposing instrument: all notes are a quarter-tone flat, but all notes are still equal tempered (creating a 24ET octave between the two pianos). But...

> This sounds not very MEI-ish, but seems very much to be copied over from [MusicXML](https://www.w3.org/2021/06/musicxml40/musicxml-reference/elements/measure-partwise/), where it makes some sort of sense. This comes from MuseData, probably via MusicXML....

> That may lead to an encoding where you crunch a whole piece into one measure, and that is where I start wondering why we have a semantic structural element...

I have not dealt with `` in MEI, although I was under the impression that they were intended for literal parts for performance (which would contain cues from other parts...