Craig Stuart Sapp

`stacc` placement is also good: But there is a bug in the placement of the staccato: it is bottom justified to the middle of the space rather than center justified...

Also, to be slightly picky :-), the tenuto line should be thicker than a staff line. In verovio it is thinner than a staff line. Here is a verovio rendering...

The good news is that staccatos have the correct size, being smaller than augmentation dots:

`ten stacc` gives this amusing rendering: `stacc ten` gives nice output: See https://github.com/music-encoding/music-encoding/issues/375 for @pe-ro's note about ordering of articulations. I would say that `ten stacc` and `stacc ten` should...

And so the ordering of articulations in `@artic` will be the stacking order? (i.e., no `@order` that Perry was thinking about).

That sounds good to me. Just tell @pe-ro :-) And you are also saying in the last message that the sequence of `note/artic` elements also will determine their stacking order...

Moving a staccato articulation out of the staff is very rare, so in this case the second example is highly preferred.

Slightly related to issue https://github.com/rism-ch/verovio/issues/1117. One solution is to treat the combined text as a composite ``, embedding the dynamic within the ``. This would be an appropriate solution for...

> What about a horizontal sequence controlled by `@next` and `@prev`? That sounds good to me.

A problem is that the `pp` in `sempre pp e senza sordini` needs to be identified as the dynamic to play the music. In other words when converting to MIDI,...