Craig Stuart Sapp

Perhaps, but unlike note-stem sameas, this case would generate an error without sameas, so automatic identification and correction is more efficient than making the encoder figure it out. The preferred...

It seems that using `verse@n` should be used in such cases for layout of the text. For example, the beginning of the chorus "Glory to God" would be in `verse@n="2"`...

> And what about the midi player in Verovio? Can I have their sounds too? To do non-equal-temperament in Standard MIDI Files, the tuning has to be adjusted using pitch-bend...

`` is for continuous controllers, but pitch bend MIDI messages are needed. What element are those? Not `` since that means page break.

I saw `` but also noticed that it was graphical. Also, pitchbend is typically a dynamic change over time, so there should be multiple MIDI pitchbend messages for each ``....

Yes, adding `` would be good. Looking at the circles in the notation as the violinist plays, I would say that they function as grace notes after a regular note,...

> See https://en.wikipedia.org/wiki/MIDI_tuning_standard This is not supported by all MIDI synthesizers (such as Wild Web MIDI), so it could be used, but not be implemented for all synthesizers. In addition,...

`acc-stacc` also has some problems, since the staccato and accent marks cannot be dissociated from each other: These accents should look like this: Or, depending on style, like this: MEI...

`marc-stacc` looks good :-) Although in terms of readability the articulations seem a bit small. Here is the same music typeset in SCORE: MEI test data: ```xml 2017-01-20 15:00:44 Transcoded...

You got this tricky case right :-) Although Behind Bars, p. 121 recommends placing in one of the centeral spaces rather than the outer space (I don't see a problem...