Thomas Weber

@craigsapp But has this any technical implications? Anything to criticize about the text style approach? Do you imply that if we pursue that approach, we should use more careful naming...

Oh, many thanks. Your elaboration made me discover a simple bug that might have been part of the problem: Hidden accidentals were output as `@accid` instead of `@accid.ges`. I just...

@RichardFreedman Concerning the slides I sent you an e-mail earlier today to learn more about the workflow. I uploaded the [current development state of Sibmei](https://app.box.com/s/ckyp79f5ficx8updtgb3yz55gv1fp4t4), if you want to give...

@rettinghaus Yes, I know music fonts usually have dedicated symbols - the question in this case is more about how to handle situations where sibmei finds dangling ties. Thinking about...

@pe-ro That sounds like the solution to the problem! (@lpugin Sorry, I overlooked your earlier comment about `@tstamp2`.)

This is a valid issue, so here is an example: [beams-over-barlines.sib.zip](https://github.com/music-encoding/sibmei/files/4482199/beams-over-barlines.sib.zip)

Problem might be that sibmei consist of a collection of plugins (libmei, the actual sibmei and two batch plugins). But I'll try to get in touch and see how that...

Sibmei exports sounding pitch(*). Sibelius is distinguishing between "sounding (concert) pitch" and "transposed pitch".  But "sounding pitch" or "non-transposing" is not fitting terminology here because both modes are in...

> ... or `oct="7"` for the logical encoding, and subtracting `@trans.semi="24"` to get the written rendering? That's not how I read the specification of `@trans.*`. Also, `@pname`/`@oct` are [specified to...

Here's an example from [Debussy's Petite Suite for piano/four hands](https://imslp.org/wiki/Special:ImagefromIndex/256265), 4th movement:  The ottava line (almost always?) applies to the entire staff. Interestingly, in Sibelius it...