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π Trivia about typefaces.
Typeface Trivia
Become a Type Snob in 10 minutes. π
If you have any suggestion (correction or addition) please mention it in the Discussion forum.
Contents
- Influential Typefaces
- Typography Terms
- Type Anatomy
- Font Variants
- Font File Formats
- Default Fonts
- Fonts in American Election
- Type Classification
- Notable Type Foundries
- Type Designers
- Timeline
- Open-Source Projects
- Custom Corporate Fonts
- Noteworthy Free Fonts
- Fonts for code
- Free Typefaces by Foundries
- Aggregators
- Web Tools
-
More
- Top 100 typefaces
- Most adopted fonts
- Fonts used in road signs
Influential Typefaces
- BASKERVILLE Designed by John Baskerville, 1757
- BODONI Designed by Giambattista Bodoni, 1790s
- ADOBE CASLON Designed by Carol Twombly, 1990, based on pages printed by William Caslon, 1734-70
- CENTAUR Designed by Bruce Rogers, 1912-14. The italic, by Frederic Warde, is based on the fifteenth-century hand of Ludovico delgi Arrighi.
- CENTURY EXPANDED Designed by Morris Fuller Benton, 1900
- CLARENDON Named for the Clarendon Press, Oxford, who commissioned it in 1845
- HTF DIDOT Designed by Jonathan Hoefler, 1992, inspired by the types of Francois Ambroise Didot, 1784
- FEDRA SANS Designed by Peter Bilak, 2001, who was asked to create a "de-Prostestantized Univers"
- FILOSOFIA Designed by Zuzana Licko, 1996, a revival of the types of Bodoni
- FRUTIGER Designed by Adrian Frutiger, 1976
- FRANKLIN GOTHIC Designed by Morris Fuller Benton, 1904
- FUTURA Designed by Paul Renner, 1927, who sought an "honest expression of technical processes."
- GEORGIA Designed by Matthew Carter, 1996, for display on screen
- GILL SANS Designed by Eric Gill, 1928. It has been described as Britain's Helvetica.
- ADOBE GARAMOND Designed by Robert Slimbach, 1989, based on pages printed by Claude Garamond in the sixteenth century
- GOTHAM Designed by Tobias Frere-Jones, 2000, inspired by lettering found at Port Authority Bus Terminal, New York City
- HELVETICA Designed by Max Miedinger, 1957
- HOEFLER TEXT Designed by Jonathan Hoefler, c. 1995
- INTERSTATE Designed by Tobias Frere-Jones, 1993, inspired by U.S. highway signs
- ADOBE JENSON Designed by Robert Slimbach, 1995
- META Designed by Erik Spiekermann, 1991
- MRS EAVES Designed by Zuzana Licko, 1996, inspired by pages printed by John Baskerville
- NEUTRAFACE Designed by Christian Schwartz, House Industries, 2002, based on lettering created by the architect Richard Neutra in the 1940s and 1950s
- NOBEL Designed by Tobias Frere-Jones, 1993, based on 1929 types by the Dutch typographer Sjoerd Henrik de Roos. Frere-Jones describes Nobel as "Futura cooked in a dirty pan."
- NEWS GOTHIC Designed by Morris Fuller Benton, 1908
- QUADRAAT Designed by Fred Smeijers, 1992
- SABON Designed by Jan Tschichold, 1966, inspired by the sixteenth-century types of Claude Garamond
- SCALA Designed by Martin Majoor, 1991
- THESIS SERIF Designed by Lucas de Groot, 1994
- TRADE GOTHIC Designed by Jackson Burke, 1948-60, inspired by nineteenth-century grotesques
- UNIVERS Designed by Adrian Frutiger, 1957
- VERDANA Designed by Matthew Carter, 1996, for display on screen
- WALBAUM Designed by Justus Erich Walbaum, 1800
Source: Thinking with Type by Ellen Lupton
Typography Terms
- Grotesk: The common German name for sans serif faces, as opposed to βAntiquaβ which means serif face.
- Antiqua: The common German and Scandinavian names for serif faces, The Scandinavian name is βAntikvaβ.
- Roman: Standard type style or regular weight of an upright typeface
- Diacritics: A diacritic is an ancillary mark or sign added to a letter. Accents are one type of diacritics.
- Dingbats: Decorative symbols and characters that are generally not included in a font or character set, including boxes, bullets, arrows, pointers, and other characters. Often made up into their own font.
- Oldstyle figures: Numbers that have different heights, some aligning to the baseline, some below. Oldstyle figures harmonize well with lowercase letters. Using oldstyle figures helps keep the numbers from standing out too much and disturbing the overall flow of the typography on the page. Oldstyle figures can be proportional or tabular.
- Lining figures (LF): Numbers that rest on the baseline, and are usually the same height as capital letters. Lining figures can be tabular or proportional.
- Font: particular size or style of a typeface, say 10 point regular or 24 point italic.
- Typeface: the specific design of the letters, say Times New Roman or Baskerville.
- Glyph: individual symbols of the typeface, say letter, number, punctuation mark, accented variations, etc.
- Baseline, Cap Line, x-Height
- Tracking is Letter-Spacing.
- Kerning is spacing between two specific letters, eg. LT, VA or To.
- Leading is Line-Spacing.
- Fixed-width is Monospaced.
- Italics is not same as Slanted or Oblique.
- Ink trap An ink trap is an intentional negative space built into the design of charactersβ letterforms to literally trap ink at certain intersections of the strokes, where ink might pool or bleed and create an undesirable emboldening of the text. It is only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. But in modern typefaces often serve a more stylistic purpose rather than their traditional intent.
- Widows & orphans A widow is the one (or few) words that appears at the top of a new page. An orphan is a single word (or syllable) that sits at the bottom of a paragraph of text.
- Faux, fake, pseudo, or synthesized - When software attempts to emulate an italic style, bold (or other) weight, ordinals, or small caps in lieu of actual font files for those variants.
Type Anatomy
Examples depend on the typeface, may not be present in this font.
- Aperture: partially enclosed, somewhat rounded negative space (n, c, C, s, S, e)
- Apex: in the capital βAβ.
- Arm: A horizontal or upward, sloping stroke that does not connect. (r, E, F, T, V)
- Ascender: partially enclosed, somewhat rounded negative space (b, d, f, h, k)
- Axis / Stress: An imaginary line drawn from top to bottom of a glyph bisecting the upper and lower strokes is the axis.
- Ball / Teardrop Terminal (βfβ)
- Beak: decorative stroke at the end of the arm (More pronounced serifs of E, F)
- Bowl: The curved part of the character that encloses the circular or curved parts (or counter) (d,b,o,g,D,B)
- Counter: The open or negative space in a fully or partly closed area within a letter. Bowl + Aperture letters.
- Cross Stroke: (f/t)
- Crossbar: horizontal stroke across the middle of uppercase βAβ and βHβ.
- Crotch: (V/W/Y) - where two strokes meet and form an interior angle.
- Descender: Any part in a lowercase letter that extends below the baseline (g, j, p, q, y, etc.)
- Double-storey: A double-storey βaβ or βgβ has two counters.
- Ear: Typically found on the lowercase double storey βgβ, an ear is a finishing stroke usually on the upper right side of the bowl.
- Eye: Enclosed space in a lowercase βeβ.
- Finial / Taper
- Flag: The horizontal stroke at the top of the numeral β5β.
- Gadzook: An embellishment that connects the letters in a ligature but is not originally part of either letter.
- Hook: of βfβ,βJβ and βjβ.
- Leg: (βKβ, βkβ and βRβ)
- Ligature: (βfiβ, βflβ, βffβ, βfflβ)
- Loop/Lobe: In some double-storey βgβ
- Neck / Link: The link connecting the top and bottom bowls of some lowercase βgβ.
- Overshoot is the part of a letterform that extends above or below the vertical dimensions of flatter glyphs.
- Shoulder: arm that is connected on both ends (βhβ, βmβ, βnβ)
- Spine: The main curve in βSβ and βsβ.
- Spur: Small protruding part on uppercase βGβ.
- Stem
- Swash: An elegant extension on a letter form, either a modification of an existing part or an added-on part.
- Tail: of an uppercase βQβ.
- Tittle: The dot on the βiβ and the βjβ.
- Vertex: The point at the bottom (or top) of a character where two strokes meet, for example the βvβ, βVβ, βwβ, βWβ etc.
Font Variants
- Bold
- Italics
- Small Caps (SC)
- Normal/Roman/Medium/Text/Book/Regular
- Condensed / Narrow
- Extended
- Display / Titling
- Rounded
- Outline / Inline
- Shadowed
- Mono / Code
by WEIGHT | by WIDTH |
---|---|
Thin/Hairline | Condensed |
Extra/UltraLight | SemiCondensed (SCd) |
Light | Normal/Roman |
Regular/Book | SemiExpanded |
Medium/Text | Expanded/Extended |
Semi/DemiBold | |
Bold | |
Extra/UltraBold | |
Black/Heavy |
Font File Formats
-
TrueType (.ttf): Developed by Apple and Microsoft in the late 1980s, TrueType fonts are widely used and supported by both operating systems. They contain both the font outlines and the font instructions for rendering glyphs.
-
OpenType (.otf): A more versatile and modern font format developed by Adobe and Microsoft. OpenType fonts can contain more glyphs (characters), support more languages, include advanced typographic features, and have better cross-platform compatibility. OpenType fonts can also be either TrueType-based or PostScript-based.
-
PostScript Type 1 (.pfb, .pfm): Developed by Adobe, PostScript fonts were widely used in the past. They contain vector outlines of characters and were commonly used for printing. However, they've largely been replaced by OpenType fonts due to their limitations.
-
Web Open Font Format (WOFF, WOFF2): These formats are specifically optimized for web use. WOFF and WOFF2 are compressed font formats that help improve web page loading times by reducing file sizes. They are based on OpenType or TrueType fonts and are widely supported by modern web browsers.
-
Embedded OpenType (EOT): Another font format developed by Microsoft specifically for Internet Explorer. EOT fonts were created to address some security and licensing issues for web fonts but have been largely replaced by WOFF and WOFF2 formats.
-
SVG Fonts (.svg): Based on Scalable Vector Graphics (SVG), these fonts use XML to describe glyphs, and each character is defined using vector graphics. SVG fonts are less common and have been largely superseded by other formats due to limitations in features and compatibility.
-
Variable Fonts: Variable fonts contain multiple variations of a typeface (weight, width, slant, etc.) within a single file. They enable real-time adjustment of these attributes along a continuous spectrum, allowing for infinite possibilities of styles and weights. They offer dynamic control over attributes like weight, width, slant, and optical size, allowing smoother transitions between styles and enabling designers to fine-tune typography for various screen sizes, resolutions, and environments. They also reduce the number of HTTP requests and file downloads on the web, enhancing performance by delivering multiple font styles in a single file.
Default Fonts
Application | Font Name |
---|---|
Windows | Segoe UI |
MacOS | San Francisco |
iOS | San Francisco |
Android | Roboto |
MS Office | Aptos, Calibri |
Google Docs | Arial |
TeX | Computer Modern |
Kindle | Bookerly |
Google Play Books | Literata |
Fonts in American Election
Year | Font |
---|---|
2000 | Myriad |
2004 | Helvetica Extended |
2008 | Gotham |
2012 | Proxima Nova |
2016 | Poppins |
2020 | Inter |
Type Classification
The common typeface classifications are:
- Serif
- Sans serif
- Monospaced
- Display
- Script
Vox-ATypI classification (depricated)
βββ Classicals [Oldstyle/Antiqua]
β βββ Humanist
β βββ Garalde [Aldine]
β βββ Transitional [Realist]
β
βββ Moderns
β βββ Didone
β βββ Mechanistic [Slab Serif/Egyptian]
β βββ Lineal [Sans-Serif/Grotesque/Gothic]
β β
β βββ Grotesque
β βββ Neo-grotesque
β βββ Geometric
β βββ Humanist
β
βββ Calligraphics
β βββ Glyphic [incised]
β βββ Script [cursive]
β βββ Graphic [manual]
β βββ Blackletter
β βββ Gaelic
β
βββ Non-Latin
Classicals
- Humanist: Centaur, Adobe Jenson, TrinitΓ©
- Garalde: Garamond, Bembo, Sabon, Minion, Palatino, Caslon, Janson
- Transitional: Baskerville, Times, Joanna, Mrs Eaves, Miller
Moderns
- Didone: Bodoni, Didot, Walbaum, Ambroise, Scotch Roman
- Mechanistic: Clarendon, Egyptienne, Rockwell
- Lineal
Lineal
- Grotesque: Akzidenz Grotesk, Franklin Gothic, Knockout
- Neo-grotesque: Univers, Helvetica, DIN, Bell Centennial, Folio, Interstate
- Geometric: Futura, Eurostile, Gotham, Neutraface, Twentieth Century, Kabel, Erbar
- Humanist: Gill Sans, Optima, Johnston, Frutiger, Meta, Myriad
Calligraphics
- Glyphic: Copperplate Gothic, Trajan, Lithos
- Script: Mistral, Francesca, Zapfino
- Graphic: Banco and Klang
- Blackletter: Fette Fraktur, Goudy Text, Old English
- Gaelic: Duibhlinn, Uncial
Notable Type Foundries
- Monotype
- Linotype
- Ascender Corp
- Bitstream
- FontFont (FF) (erstwhile fontshop.com)
- Fontsmith
- URW Type Foundry
- Hoefler & Co.
- Berthold
- International Typeface Corporation (ITC)
- Colophon
- Adobe Originals
- American Type Founders (ATF) [Defunct]
- Apple Inc.
- Bauer type foundry
- Blambot
- Dalton Maag
- Dharma Type
- Emigre
- Font Bureau
- Google Design
- Indian Type Foundry (ITF)
- P22 Type Foundry
- Typotheque
Type Designers
- ADRIAN FRUTIGER (Swiss) Univers, Frutiger, Avenir
- ALBERT-JAN POOL (Dutch) FF DIN, DIN 1451
- CAROL TWOMBLY (American) Trajan, Myriad, Adobe Caslon
- CLAUDE GARAMOND (French)
- DONALD KNUTH (American) Computer Modern
- ED BENGUIAT (American) Tiffany, Bookman, Panache, Souvenir, Benguiat and Benguiat Gothic.
- EDWARD JOHNSTON (British)
- ERIC GILL (British) Gill Sans, Perpetua, Joanna
- ERIK SPIEKERMANN (German) FF Meta, ITC Officina Sans, FF Info
- FIRMIN DIDOT (French)
- FREDERIC GOUDY (American) Copperplate Gothic, Goudy Old Style and Kennerley
- GIAMBATTISTA BODONI (Italian)
- HERMANN ZAPF (German) Optima, Palatino, ITC Zapf Chancery, ITC Zapf Dingbats, Zapfino
- JAN TSCHICHOLD (Swiss) Sabon, Zeus
- JOHANN CHRISTIAN BAUER (German) Fette Fraktur
- JOHANNES GUTENBERG (German)
- JOHN BASKERVILLE (British)
- JONATHAN HOEFLER (American) Hoefler Text, Requiem, Archer (with Frere-Jones)
- MARGARET CALVERT (British) Transport, Rail Alphabet, Motorway, Calvert
- MARTIN MAJOOR (Dutch) FF Scala (1991) Telefont (1994)
- MATTHEW CARTER (British) Georgia, Verdana, Tahoma, Bell Centennial, Skia
- MAX MIEDINGER (Swiss) Helvetica (with Eduard Hoffmann)
- MORRIS FULLER BENTON (American) Franklin Gothic, Century Schoolbook, News Gothic, Bank Gothic, Hobo
- NEVILLE BRODY (British) FF Blur, Industria, Arcadia
- OSWALD BRUCE 'OZ' COOPER (American) Cooper Black
- PAUL RENNER (German) Futura
- ROBERT SLIMBACH (American) Minion, Adobe Garamond, Utopia, Garamond Premier
- STANLEY MORISON (British) Times New Roman (with Victor Lardent), revival of Baskerville
- STEVE MATTESON (American) Segoe, Aptos, Droid, Liberation font family, Noto and Open Sans
- TOBIAS FRERE-JONES (American) Gotham, Interstate, Archer (with Jonathan Hoefler)
- ZUZANA LICKO (Slovak-born American) Mrs Eaves (based on Baskerville) and Filosofia (based on Bodoni).
Timeline
βββ 1440 - Blackletter (Johannes Gutenberg)
βββ 1470 - Roman Type (Nicolas Jenson)
βββ 1501 - Italics (Aldus Manutius and Francesco Griffo)
β
βββ 1720 - Old Style (William Caslon)
βββ 1757 - Transitional (John Baskerville)
βββ 1784 - Modern (Didot and Bodoni 1791)
βββ 1803 - Fat Face (Robert Thorne)
β
βββ 1816 - Sans Serif (William Caslon IV)
βββ 1815 - Slab Serif (Vincent Figgins)
βββ 1898 - Akzidenz-Grotesk
βββ 1927 - Futura
βββ 1957 - Univers, Helvetica
β
βββ 1968 - Bitmap fonts
βββ 1974 - Vector or Outline fonts
βββ 1976 - Frutiger
βββ 1982 - PostScript (Adobe)
βββ 1991 - TrueType (Apple)
βββ 1996 - OpenType (Microsoft)
βββ 1996 - CSS
βββ 2009 - Web Open Font Format (WOFF)
βββ 2016 - Variable fonts
Printing Technology Eras
βββ 3200 BC - Handwriting and calligraphy
βββ 220 AD - Woodblock printing
βββ 1040 AD (China) - Movable type letterpress printing
βββ 1450 AD (Europe) - Movable type letterpress printing
βββ 1800s - Wooden font molds
βββ 1890s - Continuous casting (Linotype) (Hot metal typesetting)
βββ 1950s - Phototypesetting (Cold type)
βββ 1980s to present - Digital typography
Often Disliked
There is no such thing as a bad font. There are only bad uses for fonts.
- Algerian
- Bleeding Cowboys
- Brush Script
- Chalkboard
- Comic Sans
- Cooper Black
- Copperplate
- Curlz
- Hobo
- Impact
- Lobster
- Lucida Handwriting
- Papyrus
- Souvenir
- Trajan
- Zapfino
Open-Source Projects
- Bitstream Vera (donated by Matthew Carter) clones of Arial and Charter
- DejaVu fonts - derived from Bitstream Vera (sans-serif) and Bitstream Charter (serif).
- GNU FreeFont - Based on URW++ Nimbus, similar to Times, Helvetica and Courier.
- Liberation Fonts - metrically compatible with Arial, Arial Narrow, Times New Roman and Courier New link
- Linux Libertine - similar to Times and Optima
- Nimbus Core - URW++ clones of Courier, Helvetica and Times
- PT Fonts - by ParaType for the project "Public Types of Russian Federation"
- QT Fonts - 151 fonts by Qualitype
- STIX Fonts project - visually compatible with the Times New Roman family
- The TeX Gyre (TG) Collection of Fonts
- Adventor (ITC Avant Garde Gothic)
- Bonum (ITC Bookman)
- Chorus (ITC Zapf Chancery)
- Cursor (Courier)
- Heros (Helvetica)
- Pagella (Palatino)
- Schola (Century Schoolbook)
- Termes (Times New Roman)
In early days Apple licensed fonts from Linotype and Microsoft from Monotype. Linotype and Monotype were the
Apple vs. Microsoft
of its era (i.e. hot metal typesetting days) and they had (metrically) similar fonts.
Apple | Microsoft |
---|---|
Linotype | Monotype |
Helvetica | Arial |
Times Roman | Times New Roman |
Courier | Courier New |
Superfamilies
A superfamily is the collective grouping of several explicitly related type familiesβsuch as a serif, sans, and slabβthat all share the same underlying structure to their design.
- Alegreya - Serif, sans serif, and samll caps
- Bespoke - Sans, serif, slab, and stencil styes
- Computer Modern (by Donald E. Knuth for TeX default) cmr (antiqua), cmss (grotesque) and cmtt (monospaced)
- Corporate ASE (by Kurt Weidemann) antiqua, sans and Egyptienne
- Droid (by Steve Matteson) Droid Sans, Droid Serif and Droid Sans Mono.
- Fira - Sans, mono, and code ligatures
- Gandhi - Serif and sans
- IBM Plex (by Mike Abbink) IBM Plex Sans, IBM Plex Sans Condensed, IBM Plex Serif and IBM Plex Mono
- Inria - Serif and sans serif, also swashes.
- KP Serif & KP Sans-Serif
- Liberation (by Steve Matteson) Liberation Sans, Liberation Serif and Liberation Mono
- Merriweather + Sans
- Noto fonts (by Google) comprising Noto Sans, Noto Serif and Noto Mono, an expansion of the Droid family.
- PT Fonts (ParaType Russia) by Alexandra Korolkova et al, comprising PT Serif, PT Sans and PT Mono.
- Quattrocento + Sans
- Roboto (by Christian Robertson) Roboto, condensed, Roboto Slab and Roboto Mono
- Rotis (by Otl Aicher) rotis serif, rotis semi-serif, rotis semi-sans and rotis sans
- Sassoon (by Rosemary Sassoon and Adrian William) Sassoon Sans, Sassoon Book, Sassoon Primary, Sassoon Infant and Sassoon Sans Slope
- Source (Adobe) by Paul D. Hunt and Frank GrieΓhammer, comprising Source Sans Pro, Source Serif Pro and Source Code Pro
- Stone by Sumner Stone, comprising Stone Serif, Stone Sans and Stone Informal
- Thesis by Lucas de Groot, comprising TheSans, TheSerif, TheMix and TheAntiqua
Custom Corporate Fonts
- Airbnb Cereal by Dalton Maag on GitHub
- Amazon Ember for Echo & Bookerly for Kindle by Dalton Maag
- Apple's San Francisco on GitHub
- Atlassian's Charlie Sans by Oh No Type
- Balsamiq Sans Font on GitHub
- BBC Reith by Dalton Maag
- Cal Sans used by cal.com
- Canva Sans by Colophon Foundry.
- Cisco Sans on GitHub
- Dropbox's Sharp Grotesk by Sharp Type
- Duolingo's Feather Bold by Monotype
- Durex's One Night Sans by Colophon Foundry
- eBay's Market Sans
- Goldman Sans
- HackerNoon Font
- HP Simplified by Dalton Maag Ltd
- iA-Fonts on GitHub
- Intel's Clear Sans & One Mono
- Instagram Sans by Colophon
- JetBrains Mono on GitHub
- Meta's Optimistic Font by Dalton Maag and Saffron
- Netflix Sans by Dalton Maag Ltd.
- Nokia Pure by Dalton Maag Ltd replaced Nokia Sans created by Erik Spiekermann.
- PayPal Sans by Klim Type Foundry
- Reddit Sans
- Red Hat fonts on GitHub by MCKL
- Salesforce Sans by Monotype
- SAP's 72 Font family
- Samsung's Sharp Sans by Sharp Type for Galaxy & SamsungOne for One UI.
- Spotify Circular, a geometric sans-serif typeface.
- Supernotes' SN Pro - based on Nunito
- TikTok Sans
- Tripadvisor's Trip Sans by Colophon
- Twilio Sans Mono by Sharp Type
- Twitter's Chirp based on Grilli Type's GT America.
- Uber Move by MCKL
- Ubisoft Sans by Colophon
- Ubuntu Font Family by Dalton Maag
- Vercel's Geist
- Vodafone typeface by Dalton Maag
- Wix Madefor by Dalton Maag
- YouTube Sans with design agency Saffron
Noteworthy Free Fonts
- Adobe's Source Type Family on GitHub
- Mozilla's Fira Type Family on GitHub
- IBM Plex on GitHub
- GitHub's Monaspace superfamily & Mona Sans
- Public Sans by U.S. Web Design System (USWDS)
- Inter originally built for Figma
- Cooper Hewitt from Smithsonian Design Musium on GitHub
- Atkinson Hyperlegible by Braille Institute for low vision readers
- National Park Typeface
- London Underground Dot-Matrix Typeface
- Canada1500
- Sweden Sans
- Averia - the average font
- B612 - Aeronautical Font by Airbus for cockpit screens
- Routed Gothic Font - lettering style found on technical drawings (More links to other fonts)
- Redaction
- Cantarell
- ZXX - Illegible to OCR
- QCMU - to make diagrams of quantum circuits!
- Scunthorpe Sans - censors bad language automatically
- OpenDyslexic - A typeface for Dyslexia
- Shake - A Typeface with Parkinson's
- FE-Schrift - forgery-impeding typeface for licence plates.
- LAIKA β a dynamic typeface
- Luciole - for visually impaired people
- +Jakarta Sans
- Universal Sans
Fonts on GitHub (but not on google fonts)
- Common Sans A neo-grotesque sans serif font family
- Open Sauce Fonts Creative Sauce's internal type super family.
- Open Runde rounded variant of Inter.
- Young Serif a heavy weight old style serif typeface
- Optician Sans Typeface based on the historical eye charts and optotypes used by opticians world wide.
- Metropolis A modern, geometric typeface.
- Wanted Sans Geometric with a heart, Humanist with a soul
- Techna Sans Sharp, geometric typeface
- Overused Grotesk - classic neo-grotesk Swiss design
- Aspekta - modern sans-serif collection
- basement grotesque
- SORA typeface - neutral sans serif typeface
- Helmet - a neo-grotesque display typeface.
Fonts for code
- Iosevka
- JetBrains Mono
- Monaspace
- Input
- Hack
- Berkeley Mono
- Intel One Mono
- Monocraft - Minecraft typeface
- Miracode Sharper Monocraft
- Commit Mono
- Comic Code
- Victor Mono
- MonoLisa
- mononoki
- 0xProto
Free Typefaces by Foundries
- Fontshare by Indian Type Foundry. 100 fonts, 59 pairs.
- indestructible type* by Owen Earl. 7 typefaces.
- UNCUT.wtf 150 typefaces.
- Omnibus-Type 28 variable fonts.
- Open Foundry 31 variable fonts.
- The League Of Moveable Type 17 typefaces.
- Free Faces 77 typefaces.
- Collletttivo 12 typefaces.
- Brick 60 typefaces.
- The Velvetyne Type Foundry (VTF)
- Collletttivo 12 typefaces.
- Paratype 12 font families.
Aggregators
- Google Fonts font files on GitHub
- Fontsource 1695 families. NPM packages.
- Online Web Fonts - font files from websites
- Font Meme - Discover fonts used in popular culture.
- FontBolt - Generate your text from pop culture fonts.
- 1001 Free Fonts
- Abstract Fonts 10,000+ fonts.
- BeFonts
- CreativeTacos 3300 fonts
- DaFont 82,320 fonts.
- Dafont Free 14,265 fonts.
- Font.Download 200,000+ Free Fonts
- Font Library 1,366 fonts.
- Fontasy 1105 fonts
- FontCubes
- FontM
- FontPalace
- FontPark
- FontReach 2,700 fonts.
- FontRiver 60,000 fonts.
- Fontsly
- FontSpace
- FontSpring
- FontSquirrel
- FontStruct
- FontZone
- FreebiesBug
- Urban Fonts
Marketplaces
- Monotype Fonts
- MyFonts by Monotype
- Adobe Fonts
Web Tools
- Beautiful Web Type 39 typefaces. Pairings, features.
- Identifont - Fonts by appearance, name, similarity, designer or publisher.
- NerdFonts - coding fonts with glyphs / icons patches.
- ProgrammingFonts - test drive 138 programming fonts
- Coding Font - find your favorite coding font
- Dev Fonts - List of fonts for coding
- TypeWar - Identify font game.
- Shape Type - Adjust letter shape game.
- Kern Type - a letter spacing / kerning game.
- Modern Font Stacks System font stack CSS organized by typeface classification for every modern OS
- System Font Stacks
- Wakamai Fondue - What can my font do?
- Golden Ratio Typography Calculator
- Typescale
- Modular Scale
- Archetype - Font pairing and size
- Fontjoy - Font pairing made simple
- FontPair
- WordMark - Compare multiple fonts in a visual grid.
- Typefaceoff for facing off typefaces.
- Font Library - Google fonts by tags
- GooFonts - Google fonts tagged