pe-ro

> Perhaps the elision direction syntax is similar to fermatas (the arc of the elision moves away from the staff). This was always my assumption. At present, there's no way...

I would recommend closing this issue for now. It can be re-opened if there's a pressing need for indicating fingering elision direction.

The Standard Music Description Language (SMDL) spec, which can be found at https://xml.coverpages.org/smdl10743-1995.pdf, addresses this issue in section 8.8. We probably don't want to copy it exactly, but there may...

`reh/@color` should control the color of the entire rehearsal mark, the enclosure as well as its content. However, the `` element overrides this for its content. In other words, if...

XML-based styling, as opposed to CSS, is something that's been brewing for a while now. Something CSS-like would require parsing and enforcing a new syntax. When the time is right;...

Members of `att.event` and `att.controlEvent` don't get their color attribute from membership in these classes due to the fact that `@color` on some elements, such as ``, would be nonsensical....

There is another solution to this issue, namely adding a `` element as a child, or possibly a sibling, of `` that can take the cluster related attributes from ``....

I prefer `` as a child of `` rather than a sibling. Adding attributes for accidentals is a good idea. For the cluster "type" -- white-note, black-note, or chromatic --...

Just found an example of part of a chord using a cluster-like sign at http://harpnotation.com/notation-manual/damping-techniques/muting-strings-with-one-hand/ 

The fundamental problem here is that the placement of beams is relative to the placement of the notes, rests, chords under the beam while the placement of tuplet brackets is...