EB-Garamond
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Ongoing development?
Sorry, I know this is an inappropriate use of an issue, but … is this font still being developed? There are no commits in over a year now.
It seems so : https://github.com/georgd/EB-Garamond/network
Luc and David, very little development happened in the last 18 months for personal reasons. in the past two years, I graduated, finished a post graduate program, got a new job and a daughter. I plan to resume working on the project soon but at a not too fast pace for some time to come. However, still this year you’ll see a bold companion to EB Garamond 12 drawn by Octavio Pardo from Spain who has been commissioned by Google for this task.
Understood. Congratulations on the new job and daughter, and good luck.
Indeed -- Congratulations and good luck!
Excellent news on your personal life! I'm glad to see that you have been successful at studies/work and family. Your family is the most important thing (I'm a father of three boys :D ) I found this font by accident and immediately fell in love with it. It's beautiful, perfect. Such care for detail and features. When I saw that the last commit was done more than a year ago I started to be worried, since there is no bold font and the initials are not finished, but now I found this reply of yours and I'm relieved. If in deed we manage to have the bold part this year it would be great and I would stop looking for any other fonts, because the one would fill the gaps I still have. Congratulations on the font, it's really good, please don't let it unfinished. After the bold, if the initials and the letrines start to appear again it would be great. Try to add two or three initials every year :stuck_out_tongue: Seriously, don't let your family time pass by you because of this. It would be great to give this project more visibility and attract more people willing to make it advance to completion. Thank you very much for all your work and dedication.
What news on this bold font? I found some work here: https://github.com/octaviopardo/EBGaramond12.
The bold font is the only thing I lack in my TeX install to start using EB Garamond in production.
Hi Bruno,
the work you detected is the bold font I talked about. Its set is complete, now it’s being reviewed.
Nice to hear! Good luck reviewing all those glyphs, I suppose this takes a lot of time to do.
Georg, great to hear about your personal successes and coming development on EBG. (Hopefully having Google behind development means it will serve a newer version soon. Much has changed since the old version it has now.) I'm afraid I haven't been able to devote any time to my branch recently.
@georgd Any news about the review of the bold font?
@georgd Anything new? There seem to be no changes in Octavio Pardo's Repo for some months now...
The latest commits still says the font needs a lot of reviewing and “super & intense polishment”. So it’s not done yet. But I agree some news or status update would be welcome. ;)
FYI: Octavio released otf files for a medium, semi-bold, bold and extra-bold font. I think they are not reviewed yet, but they already look very good. You can find them here:
https://github.com/octaviopardo/EBGaramond12/tree/master/Fonts
FYI: Octavio released a new version, 0.8, fixing a lot of issues and adding some characters.
Octavio released a new version, 0.8, fixing a lot of issues and adding some characters.
How does Octavio’s implementation relate to the work in this repo?
It’s almost a superset, Octavio initially added bold variants, but then started adding missing characters and fixing spacing/kerning of existing ones. Only some Unicode features that are available here are missing in his release, as well as Initials that can still be grabbed from here.
@jenstroeger Octavio was commissioned to create bold fonts for EBG. While working on it he also corrected issues he found in the drawings and especially spacing/kerning.
His part is currently at a state that I restarted work on the feature files to restore the more or less sophisticated open type features that IMO are a strong part of these fonts, and to extend them also to the newly created bold fonts.
The next step from my side will be to fix mark and mark to mark anchor placement which got more or less destroyed.
I’m not sure yet how to proceed with the git repositories so I can’t give an answer on this kind of relationship.
The next step from my side will be to fix mark and mark to mark anchor placement which got more or less destroyed.
I see some work on the feature file of the italic in https://github.com/georgd/EB-Garamond/commit/97f3dd1bd8b645314d1c3ce13d4d373549787a73
However, I think @octaviopardo already started work on fixing the anchor placement. Octavio, please comment :)
cc @m4rc1e
I’m not sure that @octaviopardo receives notifications for messages in this repository.
I do not! Sorry, I ll review the repository in the following days :)El 27 oct. 2017 6:47 p. m., Bruno Pagani [email protected] escribió:I’m not sure that @octaviopardo receives notifications for messages in this repository.
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@octaviopardo what is the status of the mark/anchor placement? :)
already touched a little bit in the last update, In the following updates will be more improved
El 3 de noviembre de 2017 a las 5:02:58, Dave Crossland ([email protected]) escribió:
@octaviopardo what is the status of the mark/anchor placement
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Octavio Pardo Virto Graphic Designer /Type Designer C/ Berriozar 21, Oficina 36, 2º piso 31013 Pamplona SPAIN +34 657 106 116 www.octaviopardo.com
Georg, I suggest creating a GitHub organization and then moving this repo into there, with these steps everyone who has experiences on typography could having rights for maintaince and new release if you give him rights.
@KrasnayaPloshchad There is no need for an organization to give other people such rights.
@ArchangeGabriel for non-org repositories, additional people can only be added as collaborators, i.e. they'd have push rights, but no way to add other collaborators, or perform other administrative tasks. So the goal of preventing a single point of failure would not be achieved, since the repo owner would remain the only person able to do those things, and therefore the entire project would remain dependent on them.
AFAIK an organization is the only way (on GitHub) to allow projects to "self-heal" as its maintainers' availability fluctuates over time.
OK, wasn’t aware of the differences. However, forks are a thing, and in the current case the released code is not here anymore, but at https://github.com/octaviopardo/EBGaramond12/.
Dear all,
I’ll reorganize all this, once outstanding changes have been made by Octavio.
2018-04-12 12:25 GMT+02:00 Bruno Pagani [email protected]:
OK, wasn’t aware of the differences. However, forks are a thing, and in the current case the released code is not here anymore, but at https://github.com/octaviopardo/EBGaramond12/.
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@octaviopardo 's work on the EB Garamond fork is a welcome new and a terrific endeavour to be highly praised.
However, it seems to me it is geared toward a somewhat different direction than this repo, possibly because of the Google commission: just to list a few details, it has upper case numerals by default, while all fonts here have lower case numerals by default (the only numerals making sense in a Garamond context); the Regular has been 'cleaned' up ('A' cross bar, 'E' serifs, etc.); the Italic lacks some of the distinctive ligatures of the originals, and so on.
If I can boldly summarise, it seems to me the goal of the fork is a Garamond-looking, general purpose, typeface; while -- if I am not mistaken -- the distinctive purpose of this project was the restitution of a historic typeface, as faithfully as possible given the difference of medium.
I hope the great and good work by Mr. Pardo could help revitalising this project, without changing its nature.
Thanks to everybody involved!
The version on Google Fonts was already updated with Octavio's version.
@mgavioli This is right, Google has rules regarding what they want for their Google Fonts, and you can read about numerals here: https://github.com/octaviopardo/EBGaramond12/issues/13.
The conclusion is that we would have either two version of the font, which is not good for usability, or that we need a good UX for selecting everywhere that applies.