Time-based media art resources

In the spirit of analog-inspection and open-workflows, time-based-media-art collects resources on the care and preservation of time-based media art.

See below for project information.

Contents

• Guidelines and Articles
• Case Studies
• Conferences, Symposia, and Workshops
• Lectures
• Institutions/Organizations
• Interviews
• Books

Guidelines and Articles

• Justin Graham and Jill Sterett (September 1997), An Institutional Approach to the Collections Care of Electronic Art, WAAC [Western Association for Art Conservation] Newsletter, 19.3.
• William A. Real (Autumn/Winter 2001), Toward Guidelines for Practice in the Preservation and Documentation of Technology-Based Installation Art, Journal of the American Institute for Conservation (JAIC) 40.3, 211-231. (@ JSTOR)
• Timothy Vitale (Autumn/Winter 2001), Techarchaeology: Works by James Coleman and Vito Acconci, JAIC 40.3, 233-258. (@ JSTOR)
• Pip Laurenson (Autumn/Winter 2001), Developing Strategies for the Conservation of Installations Incorporating Time-Based Media with Reference to Gary Hill's "Between Cinema and a Hard Place", JAIC 40.3, 259-266. (@ JSTOR)
• Howard Besser (February 2001), Longevity of Electronic Art
• European Commission, Culture 2000 (2004-2007), Inside Installations: Preservation and Presentation of Installation Art. Guidelines for practice.
• Pip Laurenson (Autumn 2006), Authenticity, Change and Loss in the Conservation of Time-Based Media Installations, Tate Papers no.6.
• Steve Dietz (November 2006), Collecting New Media Art: Just Like Anything Else, Only Different
• Electronic Arts Intermix (c.2007), EAI Online Resource Guide for Exhibiting, Collecting & Preserving Media Art
• Richard Rinehart (April 2007), The Media Art Notation System: Documenting and Preserving Digital/Media Art, Leonardo 40.2, 181-187.
• Smithsonian (May 2010), Collaborations in Conserving Time-Based Art: A Summary of Discussion Group Sessions of a Colloquium
• Gaby Wijers (August 2010), Ethics and practices of media art conservation, a work-in-progress (version0.5)
• Dragan Espenschied et al. (September 2013), Large-Scale Curation and Presentation of CD-ROM Art
• Hanna Barbara Hölling (2014), Seeking the authentic moment: De- and re-materialisations in Paik’s video and multimedia installations, AICCM Bulletin 34, 85-92.
• Erica Titkemeyer (February 2014), Handling Digital Assets in Time-Based Media Art
• Smithsonian (July 2014), The Smithsonian Interview Project: Questions on Technical Standards in the Care of Time-Based and Digital Art. Ten Insights from Artists and Experts in the Field
• Patrícia Falcão et al. (October 2014), Virtualisation as a Tool for the Conservation of Software-Based Artworks
• Matters in Media Art (2015), Guidelines for the care of media artworks
• Joanna Phillips (2015), Reporting Iterations: A Documentation Model for Time-Based Media Art, Revista de História da Arte 4, 169-177.
• Peggy Griesinger (May 2015), Preserving the Technical History of Media Works
• Rafael Lozano-Hemmer (September 2015), Best practices for conservation of media art from an artist’s perspective
• Cornell University Library (November 2015), White Paper: Preserving and Emulating Digital Art Objects
• Peggy Griesinger (November 2015), Metadata for the Digitization History of Time-based Media Art (poster)
• Sophie Bunz, Brian Castriota and Flaminia Fortunato (2015-2016), How Sustainable is File-based Video Art? Exploring the Foundations for Best Practice Development, The Electronic Media Review 4.
• Colin Post (March 2016), Research Reflections: Preservation of New Media Artworks in the Care of the Artist
• Peggy Griesinger (Summer 2016), Process history metadata for time-based media artworks at the Museum of Modern Art, New York
• Solomon R. Guggenheim Museum (October 2016), How the Guggenheim and NYU Are Conserving Computer-Based Art, part I and part II
• Colin Post (2017), Preservation practices of new media artists: Challenges, strategies, and attitudes in the personal management of artworks, Journal of Documentation, 73.4, 716-732. (paywalled)
• PERICLES (September 2017), Things Change: Conservation and Display of Time-based Media Art (short documentary on time-based media art preservation)
• Tate (October 2017), Software-based Art Preservation
• Hannah Peck (December 2017), Video as Art Medium: Context and Preservation (MIAP paper)
• Jonathan Farbowitz (2018), Archiving Computer-Based Artworks, The Electronic Media Review 5
• Rachel Ward (May 2019), “When time-based media art in private collections no longer functions, who is responsible for conservation?”
• Madeline Page Smith (July 2020), Caring for the Moving Image in Art Museums: Matters in Media Art and the Stewardship of Time-Based Media Artworks (MIAP thesis)
• Rene G. Cepeda (December 2020), Manual for the Curation and Display of Interactive New Media Art

Case Studies

• Bill Viola (April 2001), Artist's Description: Anima (2000)
• Mitchell Hearns Bishop (Autumn/Winter 2001), Evolving Exemplary Pluralism: Steve McQueen's "Deadpan" and Eija-Liisa Ahtila's "Anne, Aki and God" - Two Case Studies for Conserving Technology-Based Installation Art, Journal of the American Institute for Conservation (JAIC) 40.3, 179-191. (@ JSTOR)
• Paul Messier (Autumn/Winter 2001), Dara Birnbaum's "Tiananmen Square: Break-In Transmission": A Case Study in the Examination, Documentation, and Preservation of a Video-Based Installation, JAIC 40.3, 193-209. (@ JSTOR)
• John G. Hanhardt (2003), Nam June Paik, TV Garden (1974), Permanence Through Change: The Variable Media Approach. New York: The Solomon R. Guggenheim Foundation; Montréal: The Daniel Langlois Foundation for Art, Science, and Technology, 70-77.
• Jon Ippolito (2003), Mark Napier, net.flag (2002), Permanence Through Change, 108-115.
• Vivian Van Saaze (April 2003), Miguel-Ángel Cárdenas, 25 Caramboles and variations. Birthday present for a 25-year old (1979/80)
• Vivian Van Saaze (April 2003), eddie d, A Word of Welcome (1997-2007) (NL)
• Vivian Van Saaze (April 2003), Servaas, Are You Afraid of Video? (1984-1994) (NL)
• Vivian Van Saaze (May 2003), Elsa Stansfield & Madelon Hooykaas, Outside/Inside (1982) (NL)
• European Commission, Culture 2000 (2004-2007), Inside Installations: Preservation and Presentation of Installation Art. 33 case studies.
• Jeff Rothenberg (January 2006), Renewing The Erl King
• Christoph Becker, Günther Kolar, Josef Küng, and Andreas Rauber (December 2007), Preserving Interactive Multimedia Art: A Case Study in Preservation Planning, Asian Digital Libraries. Looking Back 10 Years and Forging New Frontiers: 10th International Conference on Asian Digital Libraries. Proceedings of ICADL 2007, Hanoi, Vietnam, 10-13 December 2007, 257-266.
• ZKM | Center for Art and Media Karlsruhe (2010-2012), digital art conservation: 10 case studies
• Nederlands Instituut voor Mediakunst (NIMk) (2011), I/Eye (1993/2011, Bill Spinhoven)
• Emanuel Lorrain (PACKED vzw) (c.2013), The preservation of Danny Matthys' video works
• Emanuel Lorrain (PACKED vzw) (c.2013), Mondophrenetic™ (2000, Herman Asselberghs, Els Opsomer, Rony Vissers)
• Gaby Wijers (LIMA) (2013), The digitisation of media artworks by Elsa Stansfield and Madelon Hooykaas
• Glenn Wharton (April & May 2013), Conserving a Nam June Paik Altered Piano, part I and part II
• Lisa Adang (Summer 2013), Untitled Project: A cross-disciplinary investigation of JODI's Untitled game
• Annika Räim (UvA P&P), Veronique Despodt (S.M.A.K.), Emanuel Lorrain (PACKED vzw) (c.2014), A las cinco de la tarde (1984, Marie-Jo Lafontaine)
• Eddy Colloton (May 2016), Re-constructions: Preserving the Video Installations of Buky Schwartz (MIAP thesis)
• Ben Fino-Radin (December 2016), Art In the Age of Obsolescence: Rescuing an Artwork from Crumbling Technologies
• Joanna Phillips, Deena Engel, Emma Dickson, & Jonathan Farbowitz (May 2017), Restoring Brandon, Shu Lea Cheang’s Early Web Artwork
• Elise Tanner (July 2018), Planning for Time-based Media Preservation at the Philadelphia Museum of Art (NDSR Art Final Report)
• Erin L. Barsan (c. August 2018), Managing time-based media/digital art at (an appropriate) scale (NDSR Art Final Report)

Conferences, Symposia, and Workshops

• ISEA (International Symposium on Electronic Art), 1988 - present
• SFMOMA (January 2000), TechArchaeology: A Symposium on Installation Art Preservation
• Solomon R. Guggenheim Museum (March 2001), Preserving the Immaterial: A Conference on Variable Media
• Experimental Television Center (ETC), Independent Media Arts Preservation (IMAP), Bay Area Video Coalition and the Electronic Media Specialty Group of the AIC (May-June 2002), Looking Back/Looking Forward: A Symposium on Electronic Media Preservation
• medien_kunst_netz Dortmund, NIMk, and C3 (June 2003), 404 Object Not FOund. What remains of media art?
• Lunder Conservation Center & Hirshhorn Museum and Sculpture Garden (March 2010), Collaborations in Conserving Time-Based Art
• Harvard Art Museum (April 2010), Andrew W. Mellon Symposium in Conservation Science: Technical Conservation Issues of Time-Based Media
• Solomon R. Guggenheim Museum (September 2010), TechFocus I: Caring for Video Art
• ZKM | Center for Art and Media Karlsruhe (November 2010), digital art conservation, Symposium I: The Digital Oblivion. Substance and ethics in the conservation of computer-based art
• Smithsonian American Art Museum and National Portrait Gallery (September 2011), Collecting, Exhibiting, & Preserving Time-Based Media Art
• École supérieure des arts décoratifs de Strasbourg (November 2011), digital art conservation, Symposium II: Practical Approaches. Artists, Programmers, Theorists
• Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (April 2012), TechFocus II: Caring for Film and Slide Art
• Smithsonian American Art Museum and National Portrait Gallery (September 2012), Standards for the Preservation of Time-Based Media Art
• Fondation Liedts-Meesen, iMAL, et l'École nationale supérieure des arts visuels de La Cambre (November 2012), Onsterfelijk
• Smithsonian American Art Museum and National Portrait Gallery (April 2013), Trusted Digital Repositories for Time-Based Media Art
• Smithsonian American Art Museum (June 2013), Conserving and Exhibiting the Works of Nam June Paik
• Carnegie Museum of Art (November 2013), Misfits Symposium 2013
• Independent Media Arts Preservation (IMAP) (June 2015), IMAP Symposium BPAC
• Solomon R. Guggenheim Museum (September 2015), TechFocus III: Caring for Software-based Art
• Carnegie Museum of Art (October 2015), Misfits Symposium 2015
• Tate (November 2015), Media in Transition conference recordings
• Ludwig Múzeum (December 2015), MAPS - Media Art Preservation Symposium
• German Association of Conservator-Restorers (VDR) (June 2016), Collecting and Conserving Performance Art
• Institute of Fine Arts, New York University (May 2018), It's About Time! Building A New Discipline: Time-Based Media Art Conservation
• Museum of Modern Art (MoMA) (11-15 June 2018), Workshop 2: Getting Started: A Shared Responsibility - Caring for Time-based Media Artworks in Collections
• The Japan Foundation and Art Tower Mito (November 2018), Play ⇔ Replay: staging & re-staging time-based media art
• Museum of Modern Art (MoMA) (10-14 June 2019), Workshop 3: Caring for Artists' Films
• LACMA (Los Angeles County Museum of Art) (25-26 April 2020), All Together Now: Time-Based Media Art and Collaborative Stewardship
• ISEA 2020, University of Québec (May 2020), Summit on new media art archiving
• Donau-Universität Krems (December 2020), Media Art Preservation Institute: 5-day Intensive Professional Training
• American Institute for Conservation (AIC) and Foundation for Advancement in Conservation (FAiC) (25/27/29 October 2021), TechFocus IV: Caring for 3D-printed Art (virtual symposium)

Lectures

• MoMA (September 2016), Pip Laurenson, “Can Artworks Live in a Museums Collection?” (Vimeo)
• NYU/IFA Conservation Centre (September-December 2016), Topics in Time-Based Media Art Conservation lecture series (Vimeo)
• Harvard Art Museums (July 2018), Perspectives on New Media in Museums with Kate Lewis (Vimeo)
• MoMA Media Conservation Initiative (2017-2018), Getting Started in Media Conservation

Institutions/Organizations

• American Institute for Conservation, Electronic Media Group
• Cornell University, Rose Goldsen Archive of New Media Art
• Electronic Arts Intermix (EAI)
• International Network for the Conservation of Contemporary Art (INCCA)
• Independent Media Arts Preservation, Inc (IMAP)
• LIMA, Preserving Digital Art
• Solomon R. Guggenheim Museum, Conservation: Time-Based Media
• Solomon R. Guggenheim Museum (2020), The Conserving Computer-Based Art Initiative
• De Stichting Behoud Moderne Kunst (SMBK), The Foundation for the Conservation of Contemporary Art
• Tate, Conservation – time-based media
• Variable Media Network
• ZKM | Zentrum für Kunst und Medien Karlsruhe, Center for Art and Media Karlsruhe

Interviews

• Electronic Arts Intermix (EAI) (August 2005), Conversation with artist Cory Arcangel
• EAI (August 2005), Interview with Berta Sichel (Reina Sofía)
• EAI (September 2005), Interview with Christopher Eamon (New Art Trust, Kramlich Collection)
• EAI (November 2005), Interview with artist Chris Doyle
• EAI (c.2006), Interview with Juliet Myers (studio manager for Bruce Nauman)
• EAI (Spring 2006), Interview with Steve Seid (Pacific Film Archive)
• EAI (April 2006), Interview with Glenn Wharton (MoMA, NYU)
• EAI (May 2006), Interview with Kira Perov (executive director, Bill Viola Studio)
• EAI (October 2006), Interview with Paul Kuranko (Guggenheim)
• SCART (February 2009), Interview with artist David Claerbout
• Richard McCoy (August 2009), Examining the Lives of Jenny Holzer’s Works/Words: A Discussion with SAAM Conservator Hugh Shockey.
• Richard McCoy (February 2010), Collaborations in Conserving Time-Based Art: a Conversation and a Colloquium (interview with Jeff Martin)
• SCART (March 2010), Interview with Christoph Blase (ZKM)
• SCART (March 2010), Interview with Pip Laurenseon (Tate)
• SCART (May 2010), Interview with Joanna Phillips (Guggenheim)
• SCART (June 2011), Interview with Mark Hellar (Hellar LLC)
• SCART (July 2012), Interview with Baruch Gottlieb, Ruth Kemper and Susanne Bernstein (transmediale)
• Moving Image Archive News (October 2012), Preserving “Time-Based Art” – An interview with Jeff Martin, IMAP
• SCART (February 2013), Interview with Bartek Korzeniowski (WRO)
• The Signal (April 2013), Challenges in the Curation of Time Based Media Art: An Interview with Michael Mansfield
• Solomon R. Guggenheim Museum (March 2014), What Is “Time-Based Media”?: A Q&A with Guggenheim Conservator Joanna Phillips, part I and part II
• American Institute for Conservation (October 2017), Emerging Conservation Professionals Network (ECPN) Interviews: Nick Kaplan (graduate fellow, Winterthur/University of Delaware Program in Art Conservation)
• American Institute for Conservation (October 2017), ECPN Interviews: Alexandra Nichols (Sherman Fairchild Foundation Fellow in the conservation of time-based media and installation art at The Metropolitan Museum of Art)
• American Institute for Conservation (November 2017), ECPN Interviews: Brian Castriota (TBMI conservator, Research Fellow in the Conservation of Contemporary Art at the Scottish National Gallery of Modern Art, and doctoral student at the University of Glasgow)
• American Institute for Conservation (December 2017), ECPN Interviews: Christine Frohnert (Time-based Media Art Conservation Curriculum Development Program Coordinator, Conservation Center at the Institute of Fine Arts, New York University)

Books

• Dekker, Annet, Collecting and Conserving Net Art: Moving beyond Conventional Methods. London and New York: Routledge, Taylor & Francis Group, August 2020.
• Depocas, Alain, Jon Ippolito, & Caitlin Jones (eds), Permanence Through Change: The Variable Media Approach. New York: The Solomon R. Guggenheim Foundation; Montréal: The Daniel Langlois Foundation for Art, Science, and Technology, 2003.
• Gfeller, Johannes, Agathe Jarczyk, and Joanna Phillips, Compendium of Image Errors in Analogue Video / Kompendium der Bildstörungen beim analogen Video. Zürich, Switzerland: Scheidegger and Spiess, August 2013.
• Grau, Oliver, Janina Hoth and Eveline Wandl-Vogt (eds), Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities. Krems, Österreich: Edition Donau-Universität, 2019.
• High, Kathy, Sherry Miller Hocking, and Mona Jimenez, The Emergence of Video Processing Tools: Television Becoming Unglued. Bristol, UK: Intellect Books, April 2014.
• Noordegraaf, Julia, Vinzenz Hediger, Cosetta Saba, and Barbara Le Maitre, Preserving and Exhibiting Media Art: Challenges and Perspectives. Amsterdam: Amsterdam University Press, January 2013.
• Schubiger, Irene (ed), Reconstructing Swiss Video Art from the 1970s and 1980s. Zürich, Switzerland: JRP|Ringier, September 2009.
• Scholte, Tatja, and Glenn Wharton (eds), Inside Installations. Theory and Practice in the Care of Complex Artworks. Amsterdam: Amsterdam University Press, February 2011.

Project info

time-based-media-art is maintained by its creator, Katherine Nagels.

Contributions are welcomed! Feel free to open a pull request or issue, or contact me directly.

Code of conduct

Actions taken in this repository, associated pull requests and issue tracker forms should adhere to the Contributor Covenant Code of Conduct guidelines.

Copyright

To the extent possible under law, https://github.com/amiaopensource/time-based-media-art has waived all copyright and related or neighboring rights to time-based-media-art.